Summa Kitharologica-The Physiology of Guitar Playing (eBook + Online Video)
Functional Anatomy and Physiomechanics
Ricardo Iznaola's long-awaited Summa Kitharologica (vol. 1) is the culmination of three decades of deep exploration of the guitarist's playing mechanism and is the most comprehensive presentation of his thinking about these matters to date. Structured in three chapters, Chapter 1 surveys basic anatomy and physiology of the upper limb, with additional sections discussing general pedagogical considerations. Chapter 2, devoted to the right hand, presents detailed information r ...more
Product Number:
30041MEB
Format:
eBook + Online Video
Skill Level:
Not Applicable
Notation Type:
Standard Notation
Pages:
170
Binding:
eBook
ISBN:
1-6191-1536-0
ISBN13:
978-16191-1536-1
Publisher:
Mel Bay Publications, Inc.
Date Published:
10/6/2015
Ricardo Iznaola's long-awaited Summa Kitharologica (vol. 1) is the culmination of three decades of deep exploration of the guitarist's playing mechanism and is the most comprehensive presentation of his thinking about these matters to date. Structured in three chapters, Chapter 1 surveys basic anatomy and physiology of the upper limb, with additional sections discussing general pedagogical considerations. Chapter 2, devoted to the right hand, presents detailed information regarding digital joint behavior in general and as applied in actual activity on the guitar, as well as introducing an analytical system to study and describe positional attitudes, or `frames', adopted by the hand in the course of playing. Chapter 3 discusses at length left-hand physiomechanics, taking the concepts of shifting and mobility as fundamental categories encompassing all aspects of left-hand technique. Twenty-six anatomical figures, over fifty photos and more than sixty musical examples, with access to online video amply illustrate the text.

"In the spirit of ground-breaking scientific pioneers, celebrated performer and pedagogue Ricardo Iznaola offers the guitar world the first volume of Summa Kitharologica, a comprehensive and highly insightful examination of guitar technique in a remarkable mixture of soaring erudition and down-to-earth practical and applicable approaches to the instrument. Like a modern-day Charles Darwin of the guitar, his insatiable passion for discovery, keen eye of the `naturalist' and relentless analytical mind have carefully and methodically recorded previously little-known or little-recognized observations, relationships and nuances about the natural principles at work in artful guitar playing. For guitar instructors, serious students and even advanced performers who desire to go beyond the `what' of guitar technique and delve into its `whys' and `hows', this may well be the definitive text." Henry Adams, former editor, Guitar and Lute Magazine.

CHAPTER 1

Section 1. Musculoskeletal Framework

Nourishment

Control Systems

Types of Muscle Contraction

Section 2. Limb Joints – Anatomy and Movements

Planes of Motion  

Joint Movements

Arm Muscle Location  

The Shoulder Girdle

The Shoulder Joint

The Elbow, Forearm and Wrist Joints  

Digit Joints  

Finger Movements

Thumb Movements

Forearm Muscles and Functions — Extrinsic Muscles

Hand Muscles and Functions — Intrinsic Muscles

Summary of Basic Anatomical Terms and Abbreviations Related to the Hand

Further Exploration of the Physiomechanics of Digital Movement

Anatomical Constraints to Digital Movement  

Section 3. Motor Function, Proprioception and Muscle Metabolism  

Muscular Innervation  

Types of Muscular Fiber

Muscle Spindle

The Body’s ‘Sixth Sense’: Proprioception and Kinesthesia

Muscle Metabolism  

Leverage

Section 4. General Pedagogical Considerations

Tension and the Experience of Mastery

Sitting Down to Play the Guitar

Static Effort and Dynamic Work When Using the Footstool

Anthropometrics and Guitar Playing  

Nails  

Leverage Conditions in Holding the Guitar

A Kinesiological Approach to Motor Training on the Guitar

Somatic Training  

The Pathology of Guitar Playing  

Training for Virtuosity  

 

CHAPTER 2

Section 1. Physiomechanical Aspects of Right-Hand Technique  

Arm Support and Stroke Type  

Physiomechanics of Right-Hand Fingerwork

Section 2. A Positional Framing Approach to Right-Hand Fingerwork

Theory of Positional Framing  

Positional and Framing Charts  

Section 3. Mobility

Shifting: Arm-Wrist-Finger Interaction  

Physiomechanics of Arm Shifting: Leverage

Various Approaches to Right-Hand Technique  

Angle of Inclination of the Guitar and its Effect on Right-Hand Approach  

Section 4. Compendium: The Talented Hand – Positional Framing Analysis

Carcassi: Etude Op. 60, No. 1. Positional Framing in Scalar Passages

Arpeggio to Scales  

Arpeggio to Repeated Notes

Interpositional Arpeggios

Well-known Arpeggio Formulas  

CHAPTER 3

Section 1. Physiomechanical Aspects of Left-Hand Technique [

The Poised Limb  

Fingerboard Slant and Weight-Release

Redefining ‘Shifting’

Form and Function  

Section 2. Towards a Typology of Shifting

Interpositional Shifts

Intrapositional Shifts  

Compound Shifting

Shifts through Extensions and Contractions  

Agility Issues  

Fingering: Player’s Choice

A Technical Analysis of Left-hand Mobility in Fernando Sor’s Study Op. 6, No. 8

Section 3. Compendium: Limits to the Possible  

Acknowledging the Limits I: Right-Hand Coordination Constraints

Acknowledging the Limits II: Tempo Constraints

Pushing the Limits I: Maximum Speed Shifting

Pushing the Limits II: Extreme Demands for Combined Finger Dexterity and Arm Agility

 

 
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