Play Accordion Volume 2 (Book/CD Set)
The Performance and Method Book for Advanced Players
The second volume of “Play Accordion” for advanced players is not based on typical playing material, but on living examples of the world music genre. The motto of this book is "Music around the globe": Musette waltzes, Eastern European and Sirbas and Horas from the Jewish Klezmer repertoire, Tango, Afro-Cuban rhythms, Blues and Jazz are the main topic. 
The chord knowledge on knobs and buttons is expanded and challenged through exercises and pieces in the basic jazz harmonies, the sense of rhythm will be ...more
Product Number:
610302E
Format:
Book/CD Set
Skill Level:
Advanced
Notation Type:
Standard Notation
Pages:
172
Binding:
Perfect Binding
Size:
9 x 12
ISBN:
3-8992-2161-3
ISBN13:
978-38992-2161-9
Publisher:
AMA Verlag
Date Published:
2/20/2013
The second volume of “Play Accordion” for advanced players is not based on typical playing material, but on living examples of the world music genre. The motto of this book is "Music around the globe": Musette waltzes, Eastern European and Sirbas and Horas from the Jewish Klezmer repertoire, Tango, Afro-Cuban rhythms, Blues and Jazz are the main topic. 
The chord knowledge on knobs and buttons is expanded and challenged through exercises and pieces in the basic jazz harmonies, the sense of rhythm will be increased through the basics of Rock, Blues and Swing and the syncopated accents of Latin music. A number of workshop-pieces with accompanied playback recordings will help improve the timing, give the opportunity to try small improvisations and be prepared for the interaction with other musicians. In other words: Once more a lot of new playing material with explanations and many exercises.

- Hello and welcome...

- Chord Symbols and Bass Note Notation

- Your Instrument

...and what you have to think about when playing

- A Small Warm Up: Breathing Exercises

- The Beguine Accompaniment

- New Notation Symbols

The Sign to Rest: the Fermata

The Symbol for Breathing: the Breath Mark

- Chromaticism

- A New Articulation: Martellato

Scale Fluency – Legato and Martellato

- Exercise: Double Stops (Sixths)

- Workshop Piece No. 1 – Roxy’s Waltz

1. “One, Two, Three...”: There’s a Count Off

2. The Chord Sequence

3. The Melody

4. Chord Shenanigans

The One Bar Repeat Sign

5. Roxy’s Waltz – the Entire Form

- A Chapter on Harmony: Triads Built on the Steps of the Scale

- A New Ornamentation: the Upper Mordent

- Unfamiliar Sounds: Scales from Eastern Europe

Finger Training: Slurring Double Stops (Thirds)

- The “Drum Accompaniment”

- New Rhythms: Odd Meters

Changing Dynamics: Suddenly or Gradually?

- Workshop Piece No. 2 – Chanana’s Rhythm

- Anticipated Accents

- Rhythm Exercise: Tapping and Clapping!

- Melody vs. Rock Bass: New Rhythm Exercises

- Finger Training: Double Stops

Rolling Arpeggios

- Eighth Note Triplets...

- New Exercises for the Bellows

“Bellows Shake”

- The Dynamic Colon: the “Forte-Piano” with Crescendo

- A New Articulation: Portato

More Vivid Playing

- The Hora Rhythm

- Finger Training: Slurring Triads

- Voicing Exercise

- Workshop Piece No. 3 – 6:30 Blues

1. The Chord Sequence: the Blues Form

2. The Blues Rhythm

Simplified Notation of the Blues Rhythm

Chorus 1: Rhythmic Motif

Chorus 2: Melody Motif

Dirty Tricks: Tremolo and Roll

Chorus 3

- Four Note Chords: a New World

Expanded Notation for the Bass

- From Impressionism to Jazz Harmony

Major Chord with a Major Seventh: the Major 7 Chord

Minor Chord with a Minor Seventh: the Minor 7 Chord

- A New Sound Option – Vibrato

Quarter Note Triplets

- Four Note Chord Extension: the Ninth

The Major 7/9 Chord

The Minor 7/9 Chord

- A Chapter on Harmony: Four Note Chords Built on the Steps of the Scale

- Overview of the Five Most Important Four Note Chord Types

Typical Chord Progression – the “II – V – I” Progression

Tension Factor: the Circle Progression

- “3 Against 2”

Rhythm Exercise for Los Dos Cactùssos

- Finger Training: Four Note Chords

- Rhythm Exercises for Hola, que tal!

- A Preferred Collection of Notes for Improvisation – the Blues Scale

A Blues Scale Solo for Hola, que tal!

- Four Note Chord Inversions

Connecting Inversions

- Workshop Piece No. 4 – Merry Go Round

1. The Structure of the Piece

2. The Chords

Rhythm: a Simple “Swing” Accompaniment

3. The Melody

Swing Feeling: the Thing Is How Much “Swing”

Chorus 1: Chords in Rhythm

Chorus 2: from the Chord to the Melody

- “3 - 3 - 2” – the Rumba Rhythm

- The Half Diminished Chord

- The Bossa Nova Rhythm

- New Chord – Cm6

- Workshop Piece No. 5 – Tribute to Astor

The Structure of the Piece

Cue Notes

- A New Rhythmic Element: N-Tuplets

- Rhythm Exercise for Ipanema Boy

- Timelessly Sad Sounds – the “Doina”

 

Appendix:

- Fingering Diagrams for the Most Important Jazz Chords

Fingerings Built on the Root Note (based on E)

Fingerings Built on the Counter Bass (based on E)

Further Chord Fingerings

- Style Dictionary and Mini Discography

- List of Song Titles/CD Index Numbers

- The Bass Buttons – Overview

 
Series:
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