Dedication
Preface
About the Authors
Acknowledgents
Copyright and Photo Acknowledgements
Introduction
- The Segovia Style
- Necessary Definitions
- Approach to Ornamentation
- Editorial Standards Used for this Book
Part I: A Musical Biography of 1893 - 1957, by Graham Wade
- The Early Years
- Towards a Debut
- The Early Repertoire
- The Wider Horizon's
- Concurso de Cante Jondo, Granada, 1922
- The New Repertoire
- Interlude
- The Expanding Universe
- Segovia's Recordings of the 1920's
- The 1930's
- Recordings and Encounters
- 1933 Through 1934
- The Darkening Years
- Segovia's Editions 1930 - 1935
- 1936 The Fateful
- Onwards
- "1938"
- 1938 Continued
- "1939"
- The Second Half of Life
- Sitting Out the War
- Segovia's Edition of Sor's Studies
- The Guitar in 1945
- The Post-War Years
- "1947"
- The Death of Manuel Ponce
- "1949"
- The 1950's
- 1952 Through 1954
- "1955"
- "1956"
- "1957"
- The Late 1950's
Notes to Part I
Select Bibliography for Part I
Part II: An Analysis of Segovia's Narvaez, Fescobaldi, Bach, Scarlatti and Sor Editions, by Gerard Garno
- List of Editions Used for Analysis
1. Luys Narvaez
- Cancion del Emperador
- Guardame Las Vacas
2. Girolama Fresobaldi
- Aria Detta La Frescobalda
3. J.S. Bach
- Prelude, BWV 999
- Fugue, BWV 1001
- Sarabande, BWV 1002
- Bourree, BWV 1002
- Double, BWV 1002
4. Domenico Scarlatti
- Sonata, K. 11
- Sonata, K. 322
5. Fernando Sor
- Variations on a Theme by Mozart
- Variations on Folias de Espana
Bibliography for Part II
Appendix A: Origianl Scores for the Pieces included in the Segovia Analysis
- Mille Regretz, by Josquin des Pres
- Cancion del Emperador, by Luys Narvaez
- Guardame las Vacas, by Luys Narvaez
- Aria Detta La Frescobalda, by Girolamo Frescobaldi
- Prelude, BWV 999, by J.S. Bach
- Fugue, BWV 1001, by J.S. Bach
- Sarabande, BWV 1002, by J.S. Bach
- Bourree, BWV 1002, by J.S. Bach
- Double, BWV 1002, by J.S. Bach
- Sonatas K. 11, K. 322 and K. 323, by Domenico Scarlatti
- Variations on a Theme by Mozart, by Fernando Sor
- Variations on a Folias de Espana, by Fernando Sor
Appendix B: Modern Editions of the Pieces Included in the Segovia Analysis
- Cancion del Emperador, by Luys Narvaez
- Cancion del Emperador by Luys Narvaez, alternate ornamented version
- Guardame las Vacas, by Luys Narvaez
- Aria Detta La Frescobalda, by Girolamo Frescobaldi
- Prelude, BWV 999, by J.S. Bach
- Fugue, BWV 1001, by J.S. Bach
- Sarabande, BWV 1002, by J.S. Bach
- Bourree, BWV 1002, by J.S. Bach
- Double, BWV 1002, by J.S. Bach
- Sonata K. 11, by Domenico Scarlatti
- Sonata K. 322, by Domenico Scarlatti
- Sonata K. 323, by Domenico Scarlatti
- Variations on a Theme by Mozart, by Fernando Sor
- Variations on a Folias de Espana, by Fernando Sor
Appendix C: Segovia Entry from Diccionario de Guitarristas (1934) by Domingo Prat.
Appendix D: Two Reviews of a concert given by Segovia in Chicago, IL in 1949
Appendix E: A Stellar Performance by Segovia, review
Appendix F: Guitar Master Segovia Dies in Spain at 95, article by John Guinn