Dedication
Preface
About the Authors
Acknowledgements
Copyright and Photo Acknowledgements
Introduction
- The Segovia Style
- Necessary Definitions
- Editorial Standards Used for this Book
Part 1: A Musical Biography of the Years 1958 - 1987, by Graham Wade
- "1958"
- The Jubilee Year
- The 1960's
- "1961"
- A New Lease on Life
- Three Score and Ten
- 1965 through 1966
- 1967 The Watershed?
- "1968"
- "1969"
- The 1970's
- 1971 through 1972
- "1973"
- "1974"
- 1975 through 1976, Towards an Autobiography
- 1977 through 1979
- "1980"
- "1981"
- "1982"
- "1983"
- 1984 through 1985
- "1986"
- "Finale"
Notes to Part I
Select Bibliography for Part I
Part II: An Analysis of Segovia's Tarrega, Albeniz, Granados, Llobet and Ponce Editions, by Gerard Garno
List of Editions Used for Analysis
1. Francisco Tarrega
- Recuerdos de la Alhambra
- Capricho Arabe
- Estudio Brillante
- Serenata Espanola
2. Isaac Albeniz
- Asturias
- Sevilla
3. Enrique Granados
- Spanish Dance No. 5
- Spanish Dance No. 10
- La Naja de Goya
4. Miguel Llobet
- El Noy de la Mare
- El Testament De N'Amelia
- La Filla del Marxant
- El Mestre
5. Manuel Ponce
- Preludio
- Balleto
- Cancion Popular Gallega
Bibliography for Part II
Appendix A: Original Scores for the Pieces included in the Segovia Analysis
- Recuerdos de la Ahlambra, by Francisco Tarrega
- Capricho Arabe, by Franciso Tarrega
- Violin Study in A, by Delphin Alard
- Estudio Brillante, by Delphin Alard, arranged for the guitar by Francisco Tarrega
- Seranata Espanola, by Joaquin Malats
- Seranata Espanola, by Joaquin Malats, aaranged for the guitar by Francisco Tarrega
- Asturias, by Isaac Albeniz
- Sevilla, by Isaac Albeniz
- Spanish Dance No. 5, by Enrique Granados (common published version)
- Spanish Dance No. 5, by Enrique Granados (final version)
- Spanish Dance No. 10, by Enrique Granados (common published version)
- Spanish Dance No. 10, by Enrique Granados (final version)
La Maja de Goya, by Enrique Granados
El Noy de la Mare, traditional
El Testament de N'Amelia, traditional
La Filla del Marxant, traditional
El Mestre, traditional
Preludio, by Manuel Ponce (autographed manuscript)
Preludio, by Manuel Ponce (urtext edition)
Balleto, by Manuel Ponce
Cancion Popular Gallega, by Manuel Ponce
Appendix B: Modern Editions of the Pieces Included in the Segovia Analysis
- Recuerdos de la Ahlambra, by Francisco Tarrega
- Capricho Arabe, by Franciso Tarrega
- Estudio Brillante, by Delphin Alard, arranged for the guitar by Francisco Tarrega
- Seranata Espanola, by Joaquin Malats, aaranged for the guitar by Francisco Tarrega
- Asturias, by Isaac Albeniz
- Sevilla, by Isaac Albeniz
- Spanish Dance No. 5, by Enrique Granados
- Spanish Dance No. 10, by Enrique Granados
- La Maja de Goya, by Enrique Granados
- El Noy de la Mare, traditional
- El Testament de N'Amelia, traditional
- La Filla del Marxant, traditional
- El Mestre, traditional
- Preludio, by Manuel Ponce
- Preludio, by Manuel Ponce (alternate version)
- Balletto, by Manuel Ponce
- Cancion Popular Gallega, by Manuel Ponce
Appendix C: An excerpt from Mangore, vida Y Obra De Agustin Barrios (1994), by Sila Godoy and Luis Szaran
Appendix D: Andres Segovia: Classical Guitar's Ageless Guru Strikes a New Chord of Serenity, An Article by David Patrick Stearns (USA Today)
Appendix E: Segovia's Musical Legacy Transcends His Death, an article by Boris Nlson (Toledo Blade)