Breaking Down the C Major Scale
Single Note Lines Preceded by a Bass Note
Dyads and Melodic Invention
Root-Root Alteration in the Bass
Adding a Middle Voice
More Movement in the Middle Voice
Basic Chords
Chord Arpeggiation
Chord Parts and Upper Voice Movement
Dyads Based on All the Scale Notes
All Approaches Thus Far
Root-Third in the Bottom Voice
Embellishing the Bass Line (Part 1) Approach Notes
Embellishing the Bass Line (Part 2) A Freer Approach
Adding Chromatic Tones in the Melody
Modern Sounds (Part 1) f5 and s5 in the Middle Voice
Modern Sounds (Part 2) Adding an M7 to Minor Chords in the Middle Voice
Modern Sounds (Part 3) Adding Major and Minor Seconds in the Middle Voice
Modern Sounds (Part 4) Sus2 and Sus4 Chords
The C Major Scale in Higher Positions on the Fretboard
Root-Third in Higher Positions
Root-Third Two-Part Playing
Shell Voicings
Shell Voicings and Melodic Material
Direct Substitutions on Shell Voicings
Modern Sounds in Higher Positions
Altered Dominants f5 s5 f9 s9 in the Upper Voice
Chord Progressions with Specific Chord Names
All Together Now