This wonderful project focuses on the use of chord shapes (mainly triads) in building a single line solo. It also opens up some of the mystery of the fretboard by showing exactly how the fretboard relates to diatonic harmony without using single note scales. Not only will new lines appear easier, but new and usable chord voicings will also appear. These chords will be related to the lines being played. It also will help move away from position playing and open up the neck, removing any black holes. There is also a look at phrasing and how rhythmic understanding is important to the improving harmonic and melodic development. Includes access to online audio.

01) Major Chord Scale      
02) Triad Movement      
03) Transposition      
04) Minor Chord Scale      
05) Using Triads in a II - V - I      
06) Dispersed Chord Scale      
07) Rhythmic Variations      
08) Altered Dominants      
09) Fragments      
10) Augmented Triads      
11) Dispersed with Open Strings      
12) Connecting Shapes with Chromatics      
13) Progressions