Extreme Warm-Ups and Chops Builders for Guitar (Book)
In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodic motifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his or her interest and inspiration. They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octave displacement, walking bass w ...more
Product Number:
30510
Format:
Book
Skill Level:
Intermediate-Advanced
Notation Type:
Standard Notation and Tab
Pages:
68
Binding:
Saddle Stitched
Size:
8.75 x 11.75
ISBN:
078668836X
ISBN13:
978-07866-8836-4
Publisher:
Mel Bay Publications, Inc.
Date Published:
10/20/2015
In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodic motifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his or her interest and inspiration. They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octave displacement, walking bass with comping, two line phrases, 'out of the box' geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor. In the words of Michael Anthony, "I find that isolation of the right and left hand is useful, but ultimately it is the timing and coordination of the two that is necessary." The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation and tablature.
Extreme Warm-ups and Chops Builders for Guitar

Author’s Note
Introduction
Study #1 - Major 7th Arpeggios
Study #2 - Arpeggios with 7th Harmonized for the Bb Scale
Study #3 - Stretch Study
Study #4 - Study in 5th with extended Tonality
Study #5 - Chord Melody Fundamentals
Study #6 - Chord Practice (V7-i)
Study #7 - Triad Study in Triplets
Study #8 - Extension of 7A and &B
Studies #9-10 - Etudes in 5ths and 6ths
Studies #11-12 - Contrary Motion / Stretch
Study #13 - Donna Lee B Diminished Killer and LA Studio Memoirs
Study #14 - Eb Dorian up the Finger Board
Study #15 - Still Eb minor 7
Study #16 - Octave Displacement
Study #17 - Chord Melody with Harmonized Triads
Study #18 - Db Diatonic Pattern
Study #19 - G melodic Minor: All the Forms
Study #20 - Related Arpeggio Forms for #19
Study #21 - Chord Melody Practice
Study #22 - Study in 4ths
Study #23 - Double Stops 3rds and Tommy Garrett’s 50 Guitars
Study #24 - Comp/Walking Bass
Study #25 - Comp/Walking Bass Continued
Study #26 - Overlapping Rhythms 5/4
Study #27 - Overlapping Rhythms 4/4
Study #28 - Overlapping Rhythms 3/4 and John Pisano’s Guitar Hang
Study #29 - Two Lines
Studies #30-33 - Long Arpeggios
Study #34 - Geometric Shapes and Joe Pass Story
Study #35 - Diminished Scales / Arpeggios and Patterns
Study #36 - I-VI7-ii7-V7 Arpeggios
Study #37 - Chord Melody Examples of #36
Michael Anthony Bio
Acknowledgements
 
Series:
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