Table of Contents
ABOUT THE AUTHOR CHORD SYMBOL NOTATION PREFACE
INTRODUCTION
 
  I.   HOW THE DOUBLE-SYMMETRICAL AUGMENTED SCALE FITS IN THE TONAL       SYSTEM
 II.   MODES OF THE DOUBLE-SYMMETRICAL AUGMENTED SCALE
 III.  CHORDS & VOICINGS
 IV.   RULES FOR USING THE DOUBLE-SYMMETRICAL AUGMENTED SCALE
 V.  VOICE LEADING
 VI.   MUSICAL EXAMPLES & EXERCISES
 VII.  MUSICAL DEVICES
 VIII.    USES OF THE DOUBLE-SYMMETRICAL AUGMENTED SCALE WITH OTHER     SYMMETRICAL SCALES
 
NOTES AND OBSERVATIONS BIBLIOGRAPHY
CONCLUSION
 
Audio Contents
TRACKS
01 Double-Symmetrical Augmented Scale Mode 1
02 Double-Symmetrical Augmented Scale Mode 2
03 Double-Symmetrical Augmented Scale Mode 3
04 Messiaen Ressonance Chord
05 Tcherepnin Scale
06 Augmented Steps (Chord Progression)
07 D Melodic Minor F+ Triad
08 E Neapolitan Minor G+ Triad
09 A Harmonic Minor C+ Triad
10 F+/G+/C+= F Double-Symmetrical Augmented Scale
11 Fsus2/Asus2/Cssus2 and Csus4/Esus4/Gssus4
12 Mode 1 Voicings
13 Mode 2 Voicings
14 Mode 3 Voicings
15 Hubert Nuss’s Orchestrations
16 Application IΔ V7 (Example)
17 Application IΔ V7 (Play-Along)
18 Application IΔ VI7 II-7 V7 (Example)
19 Application IΔ VI7 II-7 V7 (Play-Along)
20 Application to Blues (Example)
21 Application to Blues (Play Along)
22 Application: “InterStella” (Example)
23 Application: “InterStella” (Play-Along)