This book expands the repertoire and bridges the gap between Volumes 1 and 2 of the introductory-intermediate guitar method, The Flamenco/Classical Guitar Tradition.

Originally conceived by pioneering Mel Bay flamenco guitar author Juan Serrano and his former student, Corey Whitehead—the series is perhaps the first method to introduce the concept that flamenco and classic guitar techniques share common ground that should be familiar to all nylon-string guitarists.

For decades, there has been a perceived division between the two styles as classical players usually have no idea of how rasgueado patterns, alzapua and tremolo techniques or a Bulerias compas are performed. These techniques, common to flamenco players for over a century, have heretofore been complete mysteries to classical guitarists.

It’s past time to end that division. Now, with the added expertise and virtuosity of Ricardo Marlow, The Flamenco/Classical Guitar Tradition finally brings the two schools of guitar together in one authoritative comprehensive approach. Written in standard notation to facilitate sight reading, this book includes progressive foundational classic guitar studies, short flamenco palos (regional song and dance forms) and more than 60 online audio tracks to help bring your flamenco/classical playing to a professional level.

Part 1: Unit

Modal Scales on Each String (Whitehead)

The Chromatic Scale on Each String (Whitehead)

Exercise on the Major Scale, No. 14 (Sor/Coste)

Exercise on the Major Scale, No. 16 (Sor/Coste)

Exercise on the Major Scale, No. 19 (Sor/Coste)

Exercise on the Major Scale, No. 21 (Sor/Coste

Della tenuto de tuono, No. 1 “Maestoso” (Guiliani)

Part 1: Unit 2

Exercise in Thirds, No. 1 (Sor/Coste

Exercise in Thirds, No. 2 (Sor/Coste)

Exercise in Thirds, No. 3 (Sor/Coste)

Exercise in Thirds, No. 4 (Sor/Coste)

Exercise in Thirds, No. 5 (Sor/Coste)

Exercise in Thirds, No. 6 (Sor/Coste)

Exercise in Sixths, No. 1 (Sor/Coste)

Exercise in Sixths, No. 2 (Sor/Coste)

Exercise in Sixths, No. 3 (Sor/Coste)

Exercise in Sixths, No. 4 (Sor/Coste)

Exercise in Sixths, No. 5 (Sor/Coste)

Exercise in Sixths, No. 6 (Sor/Coste)

Part 1: Unit 3

Op. 60 No. 2 (Carcassi)

Op. 60 No. 3 (Carcassi)

Op. 60 No. 6 (Carcassi)

Op. 60 No. 7 (Carcassi)

Op. 60 No. 8 (Carcassi)

Op. 60 No. 13 (Carcassi)

Op. 60 No. 16 (Carcassi)

Op. 60 No. 19 (Carcassi)

Estudio en Re Menor (Sor/Coste)

Della tenuto de tuono.: Estudio No. 1 (Carulli)

Part 2: Unit 1

Pic1/T1. Alegrías silencio (Marlow)

R1. Soleá rasgueado (Marlow)

A1.  Soleá arpegios (Marlow)

P1.  Tientos pulgar (Marlow)

T1.  Farruca trémolo (Whitehead)

L1. Tarantas ligados (Whitehead)

Part 2: Unit 2

R2. Tangos rasgueados (Marlow)

A2. Soleá por medio arpegios (Marlow)

P2. Soleá pulgar (Marlow)

Pic2. Alegrías picado (Marlow)

T2. Soleá trémolo (Marlow)

Part 2: Unit 3

R3. Soleá por bulerías rasgueados (Marlow)

A3. Siguiriyas arpegios (Marlow)

P3. Bulerías pulgar (Marlow)

Pic3. Soleá por bulerías picados (Marlow)

Part 2: Unit 4

T4. Soleá por medio trémolo (Marlow)

R4. Siguiriyas rasgueados (Marlow)

A4. Bulerías arpegios (Marlow)

P4. Soleá alzapúa (Marlow)

Pic4. Farruca picados (Marlow)

Part 2: Unit 5

R5. Alegrías rasgueados (Marlow)

A5. Alegrías (Mi MeNo.r) arpegios (Marlow)

P5. Fandango alzapúa (Marlow)

Pic5. Bulerías picados (Marlow)

Part 2: Unit 6

R6. Fandango rasgueados (Marlow)

Pic6. Fandango picados (Marlow)

P6. Tangos alzapúa (Marlow)

Part 2: Unit 7

P7. Soleá por bulerías alzapúa (Marlow)

R7. Bulerías rasgueados (Marlow)

Part 2: Unit 8

R8. Verdiales rasgueados (Marlow)

P8. Siguiriyas pulgar (Marlow)

Appendix

The Fusion of Classical and Flamenco Guitar in Ensemble Music

Q1. Romanza Score Quartet Arrangement (Whitehead) 1

Q2. Romanza Guitar 1 (Anon)

Q3.  Romanza Guitar 2 (Whitehead)

Q4.  Romanza Guitar 3 (Whitehead)

Q5.  Romanza Guitar 4 (Whitehead)