This collection of pieces gleaned from the unaccompanied works of Johann Sebastian Bach (1685-1750) will broaden the horizons of the amateur, student and professional musicians alike. It is intended that these transcriptions serve as a teaching aid; helping in study of form, phrasing, style and other aspects of making music. In addition, they may also be utilized for the purpose of performance. It should be noted that some register adjustments have been instituted to better suit the range limitations of the clarinet. I have tried my best to be as faithful as possible to Bach's original compositions, striving for consistency and continuity of line. All editorial markings (trills, dynamics, articulations, etc.) are solely the editors and are of course open to interpretation. The first set of pieces (Partita, BWV 1013) is heavily edited to show that keeping within the standard performance practice of the Baroque style, experimentation is expected and encouraged.

Partita BWV 1013 (for flute) 
Suite I BWV 1007 (for cello) 
From Sonata No. 1 in G Minor BWV 1001 (for violin) 
From Sonata No. 2 in A Minor BWV 1003 (for violin) 
From Partita No. 2 in D Minor BWV 1004 (for violin) 
From Partita No. 3 in E Major BWV 1006 (for violin) 
From Suite No. 2 BWV 1008 (for cello) 
Prelude 
Courante 
Menuet I 
Gigue 
From Suite No. 3 BWV 1009 (for cello) 
Courante 
Bourrée I 
From Suite No. 4 BWV 1010 (for cello) 
Allemande 
Courante 
Bourrée I 
Gigue 
From Suite No. 5 BWV 1011 (for cello)