Crosstraining (eBook+Online Audio)
99651BCDEB
Looking for a way to improve your playing? Stuck in a rut with your practice routine? Here's an excellent way to get a whole new perspective and improve your musicianship too! Crosstraining in percussion means applying the rhythms and techniques, stickings and phrasing that you're already familiar with to new instruments you wish to learn. If you are a drummer who wants to learn to solo, what better way than to be able to play the song itself, melodically, on another instrument that's played with your drumm ...more
Product Number:
99651BCDEB
Format:
eBook+Online Audio
Skill Level:
Beginning-Intermediate
Pages:
80
Binding:
eBook
ISBN:
1-6106-5901-5
ISBN13:
978-16106-5901-7
Publisher:
Mel Bay Publications, Inc.
Date Published:
8/19/2011
Looking for a way to improve your playing? Stuck in a rut with your practice routine? Here's an excellent way to get a whole new perspective and improve your musicianship too! Crosstraining in percussion means applying the rhythms and techniques, stickings and phrasing that you're already familiar with to new instruments you wish to learn. If you are a drummer who wants to learn to solo, what better way than to be able to play the song itself, melodically, on another instrument that's played with your drummer's muscles? And you mallet players out there can play more concise, rhythmically accurate solos, if you can employ the precision required to play Funk, Rudimental, or Fusion drums! Crosstraining enables the multi-faceted percussionist develop his/her skills by applying a specific rhythm or technique, one at a time, to all the instruments in their collection. The book includes online audio of material to learn from and practice with. Includes access to online audio.
Crosstraining

Acknowledgements ................................................................................................................................................4
Dedication ..............................................................................................................................................................5
About the Author ....................................................................................................................................................6
Foreword ................................................................................................................................................................7
Crosstraining: The Concept ..................................................................................................................................8
The Instruments ....................................................................................................................................................10
PART 1: The Mozambique
Mozambique on Drumset: Latin Application ......................................................................................................18
Linear Patterns ......................................................................................................................................................20
Linear Fill and Fusion Groove..............................................................................................................................21
Linear Drum Fills..................................................................................................................................................22
Mozambique Applied to Percussion ....................................................................................................................24
Congas ..................................................................................................................................................................25
2 Congas................................................................................................................................................................26
Frame Drum and Tambourine ..............................................................................................................................27
Mallet Instruments ................................................................................................................................................28
Mozambique on Marimba ....................................................................................................................................29
PART 2: The Baiao
Drumset ................................................................................................................................................................33
The Baiao on Drumset ..........................................................................................................................................34
Groove – Related Baiao Exercises........................................................................................................................36
Baiao Feet (with 8th notes overlayed on snare drum)..........................................................................................37
2nd Line Feel with the Baiao................................................................................................................................38
Baiao Feet (with “Second Line” 8th notes on snare drum)..................................................................................39
Baiao Drum Fills ..................................................................................................................................................40
Baiao Groove #2 ..................................................................................................................................................41
Percussion..............................................................................................................................................................43
Congas ..................................................................................................................................................................44
Congas — 2 Drums ..............................................................................................................................................45
Baiao on the Doumbek..........................................................................................................................................46
Baiao on the Marimba ..........................................................................................................................................48
Broken Chords ......................................................................................................................................................51

PART 3: Funk
Drumset and Large Frame Drum ..........................................................................................................................55
Drumset and Tambourine......................................................................................................................................55
Drumset and Doumbek ........................................................................................................................................55
PART 4: Triple Meter Rhythms
Triple Meter Rhythms: Drumset and Large Frame Drum ....................................................................................57
PART 5: World Beat Rhythms
The Guaguanco: Drumset and Congas ................................................................................................................59
The Samba: Drumset and Congas ........................................................................................................................60
The Merengue: Drumset and Doumbek................................................................................................................61
The Baladi: Drumset and Doumbek ....................................................................................................................62
PART 6: Rudiments and Rudimental Solos
Rudiments and Rudimental Solos: Snare Drum, Drumset, Congas, Doumbek, Small & Large Frame Drums,
and Tambourine ..............................................................................................................................................64
Flams: Snare Drum, Drumset, Congas, Doumbek, and Frame Drum..................................................................64
Ruffs and Drags ....................................................................................................................................................65
Ruffs: Snare Drum, Drumset, and Small Frame Drum ........................................................................................65
The Single Drag: Snare Drum, Drumset, Doumbek, and Small Frame Drum ....................................................66
The Four-Stroke Ruff: Snare Drum, Drumset, Small Frame Drum, and Tambourine ........................................66
Single Paradiddle: Snare Drum, Drumset, and Small Frame Drum ....................................................................67
Double Paradiddle: Snare Drum, Drumset, and Large Frame Drum ..................................................................67
3 Camps: Rudimental Drum Solo ........................................................................................................................68
Rolling in Rhythm: Rudimental Solo on Snare Drum, Drumset, Small Frame Drum, and Large Frame Drum 72
PART 7: Loops for Practicing
How to Use the Loops ..........................................................................................................................................74
Looped Grooves: Disc 2 ......................................................................................................................................75
Looped Grooves: Disc 1 ......................................................................................................................................75
In Conclusion ........................................................................................................................................................76
CD Track Information ..........................................................................................................................................77
 
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