Breaking Down the C Major Scale

Single Note Lines Preceded by a Bass Note

Dyads and Melodic Invention

Root-Root Alteration in the Bass

Adding a Middle Voice

More Movement in the Middle Voice

Basic Chords

Chord Arpeggiation

Chord Parts and Upper Voice Movement

Dyads Based on All the Scale Notes

All Approaches Thus Far

Root-Third in the Bottom Voice

Embellishing the Bass Line (Part 1) Approach Notes

Embellishing the Bass Line (Part 2) A Freer Approach

Adding Chromatic Tones in the Melody

Modern Sounds (Part 1) f5 and s5 in the Middle Voice

Modern Sounds (Part 2) Adding an M7 to Minor Chords in the Middle Voice

Modern Sounds (Part 3) Adding Major and Minor Seconds in the Middle Voice

Modern Sounds (Part 4) Sus2 and Sus4 Chords

The C Major Scale in Higher Positions on the Fretboard

Root-Third in Higher Positions

Root-Third Two-Part Playing

Shell Voicings

Shell Voicings and Melodic Material

Direct Substitutions on Shell Voicings

Modern Sounds in Higher Positions

Altered Dominants f5 s5 f9 s9 in the Upper Voice

Chord Progressions with Specific Chord Names

All Together Now