Chapter 1: Breaking Down the C Major Scale
Chapter 2: Single Note Lines Preceded by a Bass Note
Chapter 3: Dyads and Melodic Invention
Chapter 4: Root-Root Alteration in the Bass
Chapter 5: Adding a Middle Voice
Chapter 6: More Movement in the Middle Voice
Chapter 7: Basic Chords
Chapter 8: Chord Arpeggiation
Chapter 9: Chord Parts and Upper Voice Movement
Chapter 10: Dyads Based on All the Scale Notes
Chapter 11: All Approaches Thus Far
Chapter 12: Root-Third in the Bottom Voice
Chapter 13: Embellishing the Bass Line (Part 1): Approach Notes
Chapter 14: Embellishing the Bass Line (Part 2): A Freer Approach
Chapter 15: Adding Chromatic Tones in the Melody
Chapter 16: Modern Sounds (Part 1): f5 and s5 in the Middle Voice
Chapter 17: Modern Sounds (Part 2): Adding an M7 to Minor Chords in the Middle Voice
Chapter 18: Modern Sounds (Part 3): Adding Major and Minor Seconds in the Middle Voice
Chapter 19: Modern Sounds (Part 4): Sus2 and Sus4 Chords
Chapter 20: The C Major Scale in Higher Positions on the Fretboard
Chapter 21: Root-Third in Higher Positions
Chapter 22: Root-Third: Two-Part Playing
Chapter 23: Shell Voicings
Chapter 24: Shell Voicings and Melodic Material
Chapter 25: Direct Substitutions on Shell Voicings
Chapter 26: Modern Sounds in Higher Positions
Chapter 27: Altered Dominants: f5 s5 f9 s9 in the Upper Voice
Chapter 28: Chord Progressions with Specific Chord Names
Chapter 29: All Together Now