Complete Book of Harmony, Theory & Voicing (Book)
95112
This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! ...more
Product Number:
95112
Format:
Book
Skill Level:
Intermediate-Advanced
Pages:
248
Binding:
Perfect Binding
Size:
8.75 x 11.75
ISBN:
156222994X
ISBN13:
978-15622-2994-8
Series:
Complete
Publisher:
Mel Bay Publications, Inc.
Date Published:
2/11/1994
This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.
Complete Book of Harmony, Theory & Voicing

Drop 2 type voicings

Voice-leading

Voicing Considerations

Chord Symbol Notation

Tensions

Dominant Substitute V7 Chords

Tension 9

Tension 11

Tension 13

Two Tensions 

Voice-leading Chord Scales

Three Tensions

Altered 9th Tensions on Dom 7th Chords

Enharmonic Chordal Substitutions

Additional Enharmonic Chordal Substitutions

 Relative Major - Minor

Additional Substitutions in II - V - I Examples

New Voicings

Enharmonic Substitutions of 9th Chords with omitted third or fifth

Tension Additions on Diminished 7th Chords

Constant Structure Harmonic Motion

Symmetrical Dominant Substitutions

Altered Dominant

Approach Voicings 

Fourth Voicings

Chromatic Guide-lines

Triad over Bass Voicings

Song Examples

Rhythm

Conclusion 

 
Series: Complete
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